Photography

  1. Aiming for the highest possible quality is a natural part of my approach. I shoot digital mediumformat and hasselblad 6x6 film, while utilizing a combination of natural light and flash.
  2. For cinema I shoot Sony FX3 and Black Magic Cinema 6k Pro with various lenses and filters to achieve the desired feel of the project.

Music

  1. I choose my tools and musicians very thoroughly since they have a tremendous impact on the overall feel of the work. That's why I work with a wide array of professional  musicians and I tend to prefer the sound of real instruments with properly placed microphones. 
  2. I do production and mixing but I still rely on a selected few mix-enginers to augment my work.

Education

  1. Bachelor in composition/songwriting  
  2. Masters degree in filmmusic. 
  3. Meditation teacher training with Jesper Westmark among others.

Artistic Approach

  1. A hybrid af physics and metaphysics is at the core of my approach. I believe in the unifying force of honouring the polarities of creation. With the proper balance of the emotional part of working with people and the technical awareness devoid of emotion I believe the end result will benefit greatly.
  2. I believe in the power of professionalism, but at the same time i believe that too much of it, will suffocate the natural flow of the creative proces. To strike a balance between a lot of opposite qualities and polarities is how i choose to work.
  3. Within the confinements of limited means and with an emphasis on consistency in style and aesthetics I've chosen to bridge the gap between the old and the new.

Other scoring works in film, documentary and advertisement.

  • Ketty 2021 (DR TV series)

  • Jack and Jones 2018-2020 (Commercials)

  • Weltschmerz by Jesper Dalggard 2017 (Documentary)

  • Emily om Natten by Nils Holst 2015 (Fiction)

  • Welum Commercial by Christina Aamundsen 2015 (Commercial)

  • Bokser by Christian Arhof 2016 (Fiction)

  • Dreaming Murakami by Nitesh Anjaan (Documentary) (B-composer)